I’ve been suggesting that the basic constituents of experience are neither ideas nor representations but activities of thought capable of generating ideas and representations. On this view, it follows that perception is grounded in the actions of the person; it is a skill of combining the manifold of sensibility into the semantically hued diorama of meaningful experience that all people experience as they navigate the world. As a skill of perception, experience can be said to consist in various levels of detail and nuance; it is shot through with skillful means at the ground level, means trainable and plastic in nature. Indeed, if one takes the position that philosophy is an activity that intervenes upon the initial order of skilled perception, then it becomes clear that philosophy is a means for acting upon action. Philosophical practice on this view is itself something like a somatic or practical activity, one that makes contemplation—in the sense of marking out a space for observation—its own kind of skilled action, executed in an environment.
In my dissertation summary, I linked the works of Evan Thompson, Pierre Hadot, Peter Sloterdijk, and Michel Foucault in terms of each philosopher’s emphasis on what we could call skills of perception and action, each suggesting a view of philosophy as practice. In Pierre Hadot’s work What is Ancient Philosophy?, for example, we find a view of the history of philosophy as a history of practices of self-transformation and self-overcoming (up to and including considerations of just who the “self” is that is overcome).
Despite the implications of his title, Hadot sees the emphasis on practice as also prevalent in modern philosophical figures, including Descartes, Kant, and Montaigne. In principle, we could take a practice view of any tradition of philosophical thought, as many of Hadot’s commentators have done. This is largely the same approach that Peter Sloterdijk takes. In The Art of Philosophy, Sloterdijk introduces us to his method of reading the history of art and science (and philosophy, as the work will show):
It’s been just over a year since I posted anything new here, but that’s not for lack of study or engagement on my part. Work—both intellectual and vocational—continues apace. Readers may be interested to know that I’ve started pursuit of a PhD here in the San Francisco Bay Area. Below I’m sharing a short description of my plans for the dissertation. Things may change a bit here and there as I complete various sections of the dissertation, but I expect to follow pretty closely the below summary. I’m not sure what will become of Knowledge Ecology at this point. I may start afresh with a new blog. I may continue blogging here. I might abandon the Internet all together. Who knows.
The thing about blogging—both positive and negative—is that it puts on offer a continuous stream of output, an ongoing account of one’s thinking and development. This has the double effect of providing greater context for one’s writing but also makes it difficult, at least psychologically for me, to separate oneself from earlier work in the way that writing books or articles naturally provides. The Internet tends toward a pathological amount of continuity and interconnectivity that I think many of us writing in this medium would be wise to rail against. In any case, enjoy the PhD ruminations.
[Image: Edward Burtynsky]
Earlier today I delivered a talk on ethology, ecology, and aesthetics as part of a panel on Cosmopolitics at the International Big History Conference held in San Rafael, CA. I am posting my talk below, which you can also find in .pdf form here.
Histories of Lived Experience: Intertwining Ethology, Ecology, And Aesthetics
Adam Robbert, San Francisco, CA
Paper presented at the International Big History Conference, Dominican University, San Rafael, CA, August 8.
What is the significance of meaning in Big History? There is a great diversity of opinion on this issue. For example, Eric Chaisson, one of the original board members of the IBHA, holds that Big History must let go of concepts such as intentionality, subjectivity, and, presumably, meaning, in order to understand evolution objectively. Conversely, the focus of my talk is that an understanding of meaning is necessary for an understanding of evolution at its most fundamental level. A central claim of my talk is that we have to understand that which is meaningful to organisms if ever we hope to comprehend the history of evolution on Earth. My talk thus offers a non-anthropocentric and aesthetic account of meaning in the context of geological history. Ecology from this view is an ongoing entanglement of meanings, concerns, and decisions, and it marks the space where the division between matter and meaning breaks down.
[Image: Hannah Imlach]
Last week I posted a short essay on the question of meaning, style, and aesthetics in the ecological theories of Alva Noë and Jacob von Uexküll. The post resulted in a long and in-depth discussion with science fiction novelist and central architect of the Blind Brain Theory (BBT) of cognition, R. Scott Bakker. Our conversation waded through multiple topics including phenomenology, the limits of transcendental arguments, enactivism, eliminativism, meaning, aesthetics, pluralism, intentionality, first-person experience, and more. So impressed was I with Bakker’s adept ability to wade through the issues — across disciplines, perspectives, and controversies — despite my protests that I felt it worth excerpting our dialogue as a record of the exchange and as a resource for others interested in these debates. Whatever your views on the philosophy of mind, Bakker’s unique position is one you should familiarize yourself with — if only, like me, so that you can find better ways to dispute its unsettling consequences. To provide a little context to the dialogue I am re-stating my central claim and concluding paragraph from the earlier post: