A talk I gave recently at the California Institute of Integral Studies in San Francisco, CA.
The 18th annual Media Ecology Association conference is coming up this Friday and will run from June 22–25 at Saint Mary’s College of California. I’ll be speaking on Friday (I think around 1:00 pm).
Feel free to drop me a line if you’ll be there and want to connect. Below I’m including the outline and notes for my talk. I’ll likely submit the final paper to the MEA’s journal, Explorations in Media Ecology. More on that soon.
Media Ecology and Bios Theoretikos: Philosophy as Extended Cognition
– In this talk I draw on the work of Peter Sloterdijk to suggest that philosophical ability is closely tied to modes of training (askēsis) that aim to transform awareness through self-overcoming (metanoia). Specifically, I explore the media environments that facilitate philosophical activity and the practices that enable philosophical understanding.
– Philosophy on this view is facilitated by an intricate ecology of affordance spaces—academies, libraries, monasteries, and more—whose design helps train up the individual’s capacity to perform certain maneuvers in thought, maneuvers that make apparent the environments required for the bios theoretikos (the life of contemplation).
– To make this point, I start not with humans and our practices, but with spiders and theirs. As I will show in my talk, when we think of philosophy as an instance of extended cognition, we can draw many parallels between our practices and those of nonhuman species, who like us build artifacts to deepen their perception and understanding.
I’ve just received word that the online journal Cosmos and History will soon publish an article I completed on the work of Pierre Hadot and Peter Sloterdijk. Readers of this blog are no doubt already familiar with C&H, but if you haven’t visited their site before you’ll find a substantial and worth-while back catalogue of articles available for free. I’m told my essay will appear online in March. The article gives a fuller voice to a few ideas I’ve been ruminating on (see for example here and here). I’ll be sure to post the link to the full essay when it’s published. For now, I’m including below my abstract for the paper.
THE SIDE VIEW:
HADOT AND SLOTERDIJK ON THE PRACTICE OF PHILOSOPHY
This essay describes Peter Sloterdijk’s “side view” of philosophy. That is, it describes the self-disciplines that make philosophical activity possible. Along similar lines, the paper draws on the work of Pierre Hadot, who also reads philosophy as an askēsis or exercise of self-transformation. Bringing together the work of Sloterdijk and Hadot, the essay reframes the question, What is Philosophy? by asking, Who is the philosopher? To this end, the essays synthesizes the work of Hadot and Sloterdijk, describing first the philosopher’s exercises of self-transformation, then their relation to the city and the community at a large, and finally their connection to the practice zones, enclaves, and microclimates, to use Sloterdijk’s terms, that enable the philosopher to perform certain maneuvers in thought. The paper concludes with an assessment of Sloterdijk’s global view of human practice—which he calls “the planet of the practicing”—to suggest that a planetary perspective should hold a privileged view for future philosophical inquiries. Who are the philosophers? They are the practitioners of planet Earth, the ascetic planet.
[Image: Tanja Deman]
In an earlier post, I connected typography and bookmaking to James Gibson’s theory of affordances, the idea that perception is layered less with the properties of individual objects and more with the possibilities for action they enable or afford. The basic idea of this application is that books provide a detailed and intentional set of affordances for a certain kind of understanding, and that typography and bookmaking are from this perspective intricate material practices for the installment of conversions in apprehension, for the reshaping of awareness through the mode of discursive engagement.
As I noted in the original post, on this view books are things we think with and through rather than storehouses we download from. The art of writing and bookmaking, then, is the intentional creation of affordances that make such transformations of experience possible. The book is the environment in which such affordances can endure. It’s in the context of designed affordance environments—settings created with the expressed purpose of enabling certain experiences—that I find interesting Peter Sloterdijk’s reflections on architecture and epoché.