The Dark Intelligent Abyss
by Adam Robbert
A few months ago I had the opportunity to begin reading Eugene Thacker’s After Life, a book I found highly compelling, but was pulled away from prematurely by other commitments. A few weeks later, as part of research for another project on political ecology I had begun, I delved into his work The Global Genome, another impressive text which I am still pouring over. Most recently however, I ordered a copy of In the Dust of This Planet: Horror of Philosophy Vol. 1, another slim volume from the always fertile Zero Books Publishing House. This work is stark, original, and intelligent. But perhaps best of all, the writing is clearer than a blue sky and the motifs are central to our current cultural epoch.
“The world is increasingly unthinkable,” begins Thatcher, “a world of planetary disasters, emerging pandemics, tectonic shifts, strange weather, oil-drenched seascapes, and the furtive, always-looming threat of extinction” (p. 1). This world-description which starts Thatcher’s little tome comes off as exotic, threatening, even apocalyptic. But when one examines this motif of an “unthinkable world,” one uncovers a truth that is as startling as it is urgent: these global events are not exotic, nor are they rare. Such unthinkable events have shifted categories without notifying us, the people of Earth. What was once a suitable theme for a Hollywood summer blockbuster, or a threat delivered from on high by a religious text, has now become a common feature of mundane existence. We are witnessing the normalization of global disaster, and this, I think, is precisely the “unthinkable” event which Thatcher is raising to view.
Thatcher immediately introduces us to three different modes of thinking about the world. He tells us we ought to consider a “world-for-us,” a “world-in-itself,” and a “world-without-us.” He simplifies these categories by appropriating three commonly used labels: “World,” “Earth,” and “Planet,” respectively (pp. 4 – 6). Each of these correspond to different possibles ways of conjuring up the immensity that is the ground beneath our feet. Roughly speaking, “World” corresponds to phenomenological experience, “Earth” to the collection of objective knowledge gathered from the sciences, and “Planet,” the most interesting of the three, corresponds to the domain that is not revealed by experience or by objective sciences.
These three worlds (the first two of which are interpenetrating, while the last is infinitely beyond access) form the basis for what Thatcher calls a “cosmological” view, enabled by a culture that has moved beyond more traditional frameworks such as the “mythological,” “theological,” and “existential”; each of which has occupied the worldview of humans at various points through out history (p. 7). But we ought not consider this cosmological view to be an addition to its predecessors, since what characterizes this cosmological schema is precisely the unthinkable notion of this “world-without-us.” Of course, as Thatcher points out, the unthinkable is precisely that, unthinkable. The thought of the unthinkable is what makes the horror genre such an appealing vehicle to move Thatcher’s philosophy, where he asks us to consider that “horror be understood as being about the limits of the human as it confronts a world that is not just a World, and not just the Earth, but also a Planet (the world without us)” (p. 8).
For Thatcher “anything that reveals itself does not reveal itself in total…In a literal sense the Planet moves beyond the subjective World, but it also recedes behind the objective Earth” (p. 7). I’m quite fond of contemplating this notion- our Planet is an occult, hidden entity; it ruptures forth in our senses and secretes itself through our scientific instruments, yet there is a remainder, a lingering spectre looming somewhere in a non-space, enduring somehow in a non-time. This is very similar to what I argued in my essay on Object-Oriented Ecology, where I wrote:
I am in strong agreement with Thatcher’s arguments here and find it quite compelling, as he does, that it is at the same instant in which the world swells with strangeness that it demands to be understood and recognized the most. This radical alterity of what Thatcher calls “Planet” must somehow be accepted without being able to be thought. As Levinas so rightly said “infinity overflows the thought the thinks it.” Indeed, the face-to-face encounter we have been so ignorant of is a face-to-face encounter with the radical otherness of our own home world. And yet, we might find strange comfort in the thought that this alterity is within us as much as it is without us, or as Thatcher notes:
“Scientists estimate that approximate[ly] ninety percent of the cells in the human body belong to non-human organisms (bacteria, fungi, and a whole bestiary of other organisms). Why shouldn’t this be the case for human thought as well? In a sense, this book is an exploration of this idea – that thought is not human” (p. 7).
Irreducible strangeness is, at the end of the day, perhaps what we all have in common. I’ll be posting more on this text as I have the time.
I appreciate the recognition that what exceeds our graspings is unthinkable, but shouldn’t we then be focusing on trying to develop disciplines for making space for such uncanniness and hold off on characterizations? tMorton for example has diagnosed a need for mourning in relation to such factors but are we learning to mourn, perhaps to dwell in the wreck-age without a clue?
Its an important question, and a hard one to navigate. For me, accepting the unthinkable, the withdrawn, the other, etc., is the essential starting premise for theory building, particularly when it comes to developing transdisciplinary or “integral” methods of research- both of which can go a little overboard in getting “everything” into a research program. My favorite take on this comes from Edgar Morin, whom I think comes the closest to successfully applying uncanniness and complexity to research:
http://unesdoc.unesco.org/images/0011/001177/117740eo.pdf
I think Morton’s call for mourning comes out of Derrida (and probably in turn, out of Levinas). It also lines up nicely with what Morton calls “dark ecology,” a nice reprieve from the glorious, eco-utopianism that often doesn’t take the time to mourn, or to accept the hidden depths of the Planet that Thacker refers to above.
thanks for the pdf I’ll check it out soon, my sense was that tM is thinking that in the face/belly of massive destruction, suffering, and losses of all kinds that there might be a place, perhaps even a need, for mourning in our lives as well as in our work-products. There is always the danger that when our lives offer no exit that we will pour ourselves into the bloodless world of writing where all can be resolved.